A.R. Penck

24 September 2019

A.R. Penck

„Ich aber komme aus Dresden (check it out man, check it out)."

It all started in Dresden with an act of artistic self-assertion: Barred from the academy and official art establishment in the GDR, Ralf Winkler – later known under the pseudonym A.R. Penck (1939–2017) – simply declared himself an artist. To commemorate his 80th birthday, the Albertinum of the Staatliche Kunstsammlungen Dresden (SKD) is celebrating the internationally renowned, exceptional artist with the exhibition “I however am from Dresden (check it out man, check it out)”. The show is intended as a look at Penck’s Dresden years and focuses on his previously largely unrecognised, yet diverse and artistic work as a Super-8 videographer, musician and his sketch and artist’s books.

  • DATES 05/10/2019—12/01/2020
  • Opening Hours daily 10—18 o'clock, Monday closed
    24/12/2019, 10—14 o'clock  (Heilig Abend)
    25/12/2019—26/12/2019, 10—18 o'clock  (Weihnachtsfeiertage)
    31/12/2019, 10—16 o'clock  (Silvester)
    01/01/2020, 12—18 o'clock  (Neujahr)
  • Admission Fees normal 12 €, reduced 9 €, under 17 free, groups (10 persons and more) 11 €

Until his emigratio

Until his emigration in 1980, A.R. Penck was considered the secret star of Dresden’s art scene. He never found official recognition in the GDR; he was denied the opportunity to study art and become a member of the state Association of Visual Artists (VBK). Yet Penck was no dissident. Like many other artists, he believed until the 1970s that the system could be reformed, and viewed his artistic work as a contribution to analysing and solving existing problems. While he organised underground exhibitions and group projects in the GDR, he was already a well-established artist in the West German art scene.

The exhibition includes over 30 sketches, unique and artist’s books in addition to the paintings, drawings and sculptures. His rediscovered Super-8 videos also give an insight into his cinematic oeuvre. Penck’s musical projects are also represented: visitors can listen to previously unpublished recordings and a selection from his numerous records.

In the late 1960s, A.R. Penck began making Super-8 films with his friend and fellow artist Wolfgang Opitz. They were the first to use the home movie format to make art in the GDR, producing over 20 such films by 1980. Much of this material was researched and digitalised in preparation for the exhibition, so that these films can now be presented to a wider audience. The unique and artist’s books question conventional reading habits and serve as both a living archive and laboratory. In them, Penck creates, trials and develops his “artistic standard”, “visual thinking” and the “methods of understanding”.

Along the chronological work development, the exhibition also highlights his many collaborative projects with other artists. Besides the musical activities of Penck’s early group of friends featuring Jürgen Böttcher (Strawalde), they include the free printing workshop “Obergrabenpresse” (founded in 1978), the group of artists “Lücke” (1971–76) and his cooperation with video artist Wolf Kahlen in Berlin (1980).

The exhibition will also première the documentary “Er nannte sich Y – der unbekannte A.R. Penck” (He called himself Y – the unknown A.R. Penck) by director and author Thomas Claus, produced with the support of Staatliche Kunstsammlungen Dresden. Thanks to previously unpublished material and insightful interviews with contemporaries, this documentary gives new perspectives on A.R. Penck’s life and work prior to 1980.

Complementing the exhibition in the Albertinum, the Städtische Galerie Dresden is hosting the exhibition “A.R. Penck : Overpainting 1979 – Reconstruction of an Exhibition”.

With support of the Kupferstich-Kabinett of the Staatliche Kunstsammlungen Dresden and the Städtische Galerie Dresden.

Featuring loans from Kupferstich-Kabinett (SKD) / Städtische Galerie Dresden / Kunsthaus Zürich / Museum Ludwig, Cologne / Sammlung Deutsche Bank, Frankfurt am Main / Städtische Galerie Karlsruhe, Sammlung Garnatz, Karlsruhe / Kunstmuseum Moritzburg, Halle an der Saale / Staatliche Graphische Sammlung München / Städel Museum, Frankfurt am Main, private collections and private owners.

 

Information on the exhibition:

Exhibition venue: Albertinum, Salzgassenflügel

Duration: 5 October 2019 to 12 January 2020

Opening hours: 10 a.m. to 18 p.m. daily, closed on Monday

Admission: € 12, reduced rate € 9, free for under 17-year-olds, € 11 for groups of 10 or more

 

SKD uses the hashtags #arpenck, #albertinum and #skdmuseum to communicate on social media.

Presspictures- and -dossiers

A.R. Penck: Ohne Titel, 1970 Dispersion auf Baumwolle, 95x 95 cm, Schenkung Sammlung Hoffmann, Staatliche Kunstsammlungen Dresden
© VG Bild-Kunst, Bonn 2019
A.R. Penck: Visuelles Denken - Techniken des Verstehens, 1972/73 Skizzenbuch (Durchschreibebuch mit Einband und 99 teils linierten Blättern), Tusche, Tinte, Aquarellfarbe, Faserstifte, 29,5 x 20,7 cm, Titelblatt, Städtische Galerie Dresden – Kunstsammlung, Museen der Stadt Dresden
© VG Bild-Kunst, Bonn 2019, Foto: Herbert Boswank
A.R. Penck: Visuelles Denken - Techniken des Verstehens, 1972/73 Skizzenbuch (Durchschreibebuch mit Einband und 99 teils linierten Blättern), Tusche, Tinte, Aquarellfarbe, Faserstifte, 29,5 x 20,7 cm, Städtische Galerie Dresden – Kunstsammlung, Museen der Stadt Dresden
© VG Bild-Kunst, Bonn 2019, Foto: Herbert Boswank
A.R. Penck: Ohne Titel (Ende im Osten/Duisburg), 1979/80 Öl auf Nessel, 130 × 175 cm, MKM Museum Küppersmühle für Moderne Kunst, Sammlung Ströher
© VG Bild-Kunst, Bonn 2019, Foto: Kunstmuseum Bonn, Reni Hansen
A.R. Penck: Skizzenbuch (Deutsch-Russisches Wörterbuch, Bibliografisches Institut Leipzig) um 1957-59 Zeichnungen in Tusche, 21,5 x 16 cm, Buchdeckel, Privatbesitz, Foto: Städtische Galerie Dresden – Kunstsammlung, Museen der Stadt Dresden
© VG Bild-Kunst, Bonn 2019, Foto: Franz Zadniček
A.R. Penck: Skizzenbuch (Deutsch-Russisches Wörterbuch, Bibliografisches Institut Leipzig) um 1957-59 Zeichnungen in Tusche, 21,5 x 16 cm, Seite 215, Privatbesitz
© VG Bild-Kunst, Bonn 2019, Foto: Städtische Galerie Dresden – Kunstsammlung, Museen der Stadt Dresden, Franz Zadniček
A.R. Penck: Nächtliches Selbstbildnis mit Hut, 1958 Öl auf Pappe, 42,3 x 30 cm, Privatbesitz
© VG Bild-Kunst, Bonn 2019, Foto: Städtische Galerie Dresden – Kunstsammlung, Museen der Stadt Dresden, Franz Zadniček
A.R. Penck: Großes Weltbild/Large World Picture, 1965 Öl auf Hartfaserplatte/Oil on hardboard panel, 180 x 260 cm, Leihgabe Ludwig Stiftung/Loan Ludwig Foundation, 1986, ML 01432, Museum Ludwig, Köln
© VG Bild-Kunst, Bonn 2019, Foto: Rheinisches Bildarchiv Köln, rba_d047242
A.R. Penck/Wolfgang Opitz: Standart – Modellstudie 1 „Archimedes“, Super-8-Film, 1971/72 Filmstill
Courtesy STAMPA Galerie, Basel/© Archiv Thomas Claus
A.R. Penck/Wolfgang Opitz: Louisenstrasse, Super-8-Film, 1971 Filmstill
Courtesy Wolfgang Opitz/© Archiv Thomas Claus
A.R. Penck: Standart-Modell, 1968 Aluminiumfolie , 15 x 35 x 10 cm, Sammlung Hoffmann, Berlin
© VG Bild-Kunst, Bonn 2019, Foto: Galerie Michael Werner
A.R. Penck: Ich überlege, vor 1971 Holzschnitt, 55,2 x 79 cm (Blatt), Staatliche Kunstsammlungen Dresden, Kupferstich-Kabinett
© VG Bild-Kunst, Bonn 2019, Foto: Staatliche Kunstsammlungen Dresden, Kupferstich-Kabinett, Andreas Diesend
LÜCKE TPT (Harald Gallasch, Wolfgang Opitz, A.R. Penck, Terk): Signale – falsch gestellt, 1972 Acryl auf rotem Stoff, 143 x 149 cm, Privatbesitz Berlin
© VG Bild-Kunst, Bonn 2019
A.R. Penck: Gostritzer 92, LP-Cover, Weltmelodie, 1979 Privatbesitz
© VG Bild-Kunst, Bonn 2019
A.R. Penck: Die Revolution…, 1976 Faserstifte, 29,8 x 21 cm, Städtische Galerie Dresden – Kunstsammlung, Museen der Stadt Dresden
© VG Bild-Kunst, Bonn 2019, Foto: Städtische Galerie Dresden – Kunstsammlung, Museen der Stadt Dresden, Franz Zadniček
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